Gallery at the Auckland University of Technology, New Zealand and in KINGDOM – flora, fauna, fable at the Reykjavik Art Museum. This summer his work will be included in group exhibitions at Human Resources in Los Angeles and at St. Upcoming is his solo exhibition, The Sea, at the Schildt Foundation and Pro Artibus in Tammisaari, Finland. Recent solo exhibitions include Past Understandings and Desire Ruin at the Antiquities Department of the Kunsthistorisches Museum and the Mineral Collection of the Naturhistorisches Museum in Vienna. In his work he often discusses history, time, identity construction and the proliferation of political histories through fragments and ruins of buildings or natural structures. ![]() Anna was a professor in Fine Art at the Iceland Academy of the Arts in 2000 – 2009.ījarki Bragason studied at the Iceland Academy of the Arts, Universität der Künste Berlin, and received an MFA from CalArts, Los Angeles in 2010. Líndal’s recent solo exhibitions are Mapping the Impermanence at the ASI Art Museum and Context Collections / Lines, Harbinger, Reykjavik. The Kwangju Biennial, Man + Space, South Korea in 2000 curated by René Block and the Reykjavik Arts Festival in 20. Since 1990 she has been active in numerous exhibitions in Iceland and abroad, she took part in the Istanbul Biennial in 1997, On life, beauty, translation and other difficulties curated by Rosa Martinez. In 2012 she finished an MA of Research in Art from St Lucas University College of Art & Design, Antwerp. The Distance Plan works through exhibitions, public forums and the Distance Plan Press which produces publications, including artists books and annual journal.Īnna Líndal studied at the Icelandic College of Art and Crafts and completed her graduate studies at the Slade School of Fine Art in London in 1990. Along with Abby Cunnane she is a co-founder of The Distance Plan, a project that brings together artists, writers and designers to promote discussion of climate change within the arts. Through a practice that utilizes performance, moving image and printed matter her work investigates the tension between capitalist ideology and environmental protection. She holds an honors degree in Art History and a MA in creative writing from Victoria University, Wellington, New Zealand and an MFA from California Institute of the Arts. Ahead are endless connections between processes that upon first sight are not directly related communities of the past and the present infiltrate the future, which individuals try to imagine and locate themselves within, while political power systems struggle to form common goals. The exhibition will run until June 19th.īryndís Snæbjörnsdóttir & Mark Wilson, You Must Carry Me NowĪmy Howden-Chapman is an artist and writer, originally from New Zealand, currently based in the USA. The geological timeframe has overlapped with the human timeframe for the first time. ![]() Thus, the residue of atomic bombs will spread and glaciers melt, thousands of years after the plug has been pulled on all the world’s factories. Recently in world history, culture has been able to produce products that continue to have an impact dozens of millennia after the production or their use occurred. Today the effects are apparent in climate change, which is hard to quantify as an entirety, instead it appears as fragments in all things, as an imbalance in bio systems, droughts or rain, as changes in circumstances and future prospects of all species. ![]() ![]() Human activity began to mark deeper footprints on the planet and cause changes to natural processes. Since the beginning of agriculture and with the industrial revolution, which took place between 17-40, humans have become a geological force. Works in the exhibition each deal with systems which all societies struggle with late-capitalism, ecosystems in degradation, human experiments to alter the environment, knowledge production, manifestations and the effects of humans on the environment. Inifinity is limitless, there is endless space, size or context and it is impossible to measure or view it in entirety. The Living Art Museum opens a new international art exhibition on Saturday, May 7th at 4pm in Nýló, Völvufell 13 – 21, in Breidholt. Infinite Next is an international group exhibition of works by Anna Líndal, Amy Howden-Chapman, Bjarki Bragason, Bryndís Snæbjörnsdóttir & Mark Wilson, Hildigunnur Birgisdóttir and Pilvi Takala.
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